Writing skills – Restaurant Review

Being someone who regularly teaches Exam skills, teaching writing plays a key part in my normal week.  One of the main things I always try and do is focus students on key features of genre.  These are things we often take for granted, so as well as vocab and grammar, I look a lot at what makes up register encouraging students to ‘notice’ the key features, such as genre specific vocab, sentence length, objective or subjective.  It’s easy to forget that what we know and expect of a text might not for the student necessarily be the same, so it is often worth highlighting these things.  This lesson also goes into paragraph structure and touches on theme and rheme (the topic and the comment made about it).

The aim is to give students the opportunity to produce a piece of writing that will have some interesting lexis, some grammatical range and cohesion.

For copyright reasons I wrote the review as I didn’t want ‘Time Out’ to kill me!

Level:  Upper-intermediate and above

Time: 1.5-2hrs + homework

Aims:

  • To examine language used in restaurant reviews
  • To build learner autonomy
  • To teach genre specific high level adjectives
  • To prepare students for a piece of writing

Outcome:

  • The students will be prepared to write a restaurant review

Age group: Adults – especially FCE / CAE / CPE

Procedure

  • Discussion of restaurants / favourite foods / favourite flavours
  • Language focus: Vocab – working it out from the context / Grammar participle clauses
  • Pronunciation focus: matching the script to the new lexis
  • Writing: planning / cohesion
  • Practice: Writing a review

 Materials

Cats in the Cradle (Listening + Pronunciation, the inexorable link)

Once upon a time I worked in a school and I thought I taught my students how to listen in English. Oh, I gave them wonderful advice such as: listen to the radio every day, watch DVDs in English, listen to people on the bus and tube…all of it utter rubbish if I do not give them the tools to actually decode what they hear, if I don’t prepare them for what they’re going to hear, which was probably why my students did absolutely awful in all of their listening tests but great in everything else. I wasn’t equipped to actually teach listening, the forgotten skill. Then I discovered John Field and developed a little crush on him and his book and I actually started trying to teach my students to listen.

The following lesson gives you some ideas of how you can start doing this. It’s based on three simple assumptions:

  1. If students don’t know something is possible, they WILL NOT HEAR IT! Have you ever learnt a word in another language and then suddenly started hearing it everywhere? It’s probably unlikely that people all of a sudden started using the word more often, it’s much more likely that because you no knew it was possible, you were able to hear it.
  2. If we don’t let students know how words/phrases will actually be pronounced in the real world, they will not understand them. English language learners will often build their sentences one word at a time, however, as native speakers we speak in chunks and use connected speech. By raising our students’ awareness of this fact, they are much more likely to understand an English speaker.
  3. Skills lessons need to involve one of more reflection stages. As teachers we have a tendency to be very sneaky and practise lots of different sub-skills in one lesson but if we don’t actually raise the students’ awareness of what they’re doing and how it can be applied to their real life, it’s all for nought.

Age: teenagers – Adults

Level: Pre-intermediate upwards.

Time: 90mins – 3hours (depending on your choice of activities)

Materials:

Procedure:

  1. Opening discussion questions: do you use English songs to learn English? What makes them difficult? Are there any negative points to using songs? – Aim: to get students thinking about how helpful music can be / to address any worries they might have about songs containing “bad” English / to raise awareness of the fact that songs often contain spoken English.
  2. First listening: Play the first 26 seconds of the song as a dictation. Prepare students by telling them it will be difficult but to write any word they hear and not to worry as they will hear it a number of times. Play this section as many times as you like, allowing the students to compare with each other after each play.
  3. Focus on weak forms: Hand out the lyrics and ask students to check their answers. Ask them to compare with a partner and to circle the words they didn’t hear. In pairs, discuss which words they heard and which they didn’t hear, and why that might be. – Aim: to raise students’ awareness of the fact that in English, content words are pronounced in their strong forms and very often the “grammary” words around them are weak forms. 
  4. Focus on weak forms 2: Students listen to the first verse again and listen out for how the words they didn’t hear were actually pronounced. As a class discuss the difference between how students expect the words to be pronounced and how English speakers will pronounce them. – Aim: to raise awareness of the schwa and it’s prevalence in weak forms. 
  5. Practice: Students look at the chorus and, in pairs, mark where they think there will be schwas and weak forms. Students then listen and check. Afterwards they discuss whether or not they were correct and if they were able to hear the weak forms at all. – Aim: to put into practice what students have noticed and to show improvement. 
  6. Raising awareness of context and prediction: Play the 2nd verse for the students without any discussion or preparation. Ask them to fill in the gaps. Afterwards ask them how they did. They probably won’t have done very well. Tell them that what you did was very unfair and you really should have allowed them some time to prepare.
  7. Preparation: Ask students to reread the song so far, discuss the story, check what types of words could fill the blanks and what tense any verbs would be. As a class, get a list of three to four possibilities on the board for each space. Replay the second verse and students can check their predictions. (Note: I would be surprised if anyone short of upper int or advanced got the first gap – turned – but if they got the meaning and said anything like came or became or was, you can highlight the fact that it’s not important to hear every word as long as you understand). – Aim: to show the importance of preparation. 
  8. Put it into practice: Direct the students attention to the next verse and ask them to do the same as before. Prepare to listen. Students will undoubtedly do much better this time when you play the verse. – Aim: to show improvement
  9. Reflect: ask students to discuss why they understood the 3rd verse more easily than the 2nd. Ask them if any of the skills they have talked about today could be put into use in their daily lives. – Aim: To encourage students to apply their skills in the real world.
  10. Engage with the text: Play the whole song for the students. Afterwards ask the students to discuss the story of the song, whether or not they liked it and to write one sentence outlining the message behind the song.
  11. Optional follow-up activities: See the materials above for optional vocabulary and grammar activities that can be done in class or for homework.

Frame Again

Preface:

So there I was, walking out of the tube station, wondering where I was going to get my hands on a short text that didn’t immediately strike me as an obvious text for a lesson (one that we could use to challenge ourselves) when a lovely young lady, standing shivering at the top of the steps handed me the above postcard. Perfect!

I think most of the activities that go along with this lesson are pretty self-explanatory but I briefly wanted to talk about one of our aims: to encourage learner autonomy. For us, the end game has to be sending students out of the classroom with the tools they need to continue learning on their own. Exercise 2C in the lesson below aims to do just this. Of course we need to be teaching the students vocabulary in class but imagine a world where students come across an unknown word in a text and their first port of call isn’t their dictionary, instead the use the context and a variety of other strategies.  Imagine they were able to simply insert a synonym and move on, happy that they’d understood the meaning. This is a world we want to live in.

The exercises below are a way of training your students to start doing just this. When done over a series of lessons, you should start to notice a difference in how they approach new vocabulary and their confidence when faced with unknown words and phrases. We’ve had a lot of success with these types of activities but it’s all for naught if we don’t let the students in on what’s happening. So, take a second after exercise 2C and ask the students why you just taught them this vocabulary, why you spent ten minutes teaching these specific words. Of course it helps them engage with the text, and you could argue that all vocabulary is important but what you’re really doing is teaching them a skill and to do that you have to make them aware of it first. Give a man fish and all that lark.

Anyway, try it out and let us know how it goes. Enjoy.

 

Level: Pre-intermediate – Upper-intermediate

Time: 1.5 – 3 hours

Aims:

  • To examine persuasive language
  • To encourage learner autonomy
  • To highlight the difference in use of real and unreal conditionals.
  • To raise awareness of and practise weak forms and features of connected speech.

Outcome:

  • By the end of the lesson the students will have created a radio advertisement, using weak forms, and persuasive language.

Age group: Adults

Procedure

  • Discussion questions
  • Language focus: Vocab / informal + persuasive language / real versus unreal conditionals
  • Pronunciation focus: Features of connected speech within the audio
  • Reflection: What have we looked at so far?
  • Practice: Creating a radio advert using the language/features of connected speech that have been looked at in the lesson.

 

Materials: