texts

Text messages – Register focus

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Hi all,

As many of you know, I am extremely interested in register and style and feel it is often something that is overlooked in coursebooks as well as class.

The number of students who have no idea what I am talking about when i raise this issue is pretty high, too high. So, I think we should try to make it a feature of everything we teach.

This lesson follows on from some on phrasal verbs, which are often, though not exclusively, informal. I wanted a revision session which provided scope to use some, but also gave time for us to examine student examples and look at how they could be improved.

Why texts? Well, they write them, so they are relevant. They give opportunity to use some of the TL. They are short so don’t discourage. Plus they are short so can really be broken down.

Aim: to check register and appropriacy through the writing of short texts

Level: pre int / int / upp int / advanced

Procedure:

1. Write the four texts on the board. Ask the students in pairs to discuss who wrote them and why. Encourage them to think about how the writer felt and which words or features give this away.

IMG_0414

  1. Hi. Can you call me asap please. x
  2. Hey, wondering if you’d chosen anywhere yet. I finish here at 4 so let me know before then. Cheers.
  3. Have you got any plans for later? I’ve got a spare ticket going for a gig if you fancy it.
  4. Where are you? Do you know what time it is? I’ve been here for ages now.

Do whole class feedback. Really go into detail.

Hi. Can you call me asap please. x

  1. This really troubled my class. They said work so I asked why. They said the polite question and the fact it was direct. I agreed but asked about the x. It was a name they said. I pointed out it meant kiss. So they came up with the idea that it might be a parent messaging a child with bad news. I was pretty happy with this explanation.
  2. Mine got that this was two friends arranging something. Cheers was interesting as they knew it in other contexts. We looked at whether there was a difference between Hi / Hey – concluding Hey could be seen as more friendly
  3. Some of my students decided that this was a guy inviting a girl out, which I liked as a possibility. We checked meaning of gig – one of the students was able to explain it.
  4. Mine didn’t get the repetition of the same thing as possibly being anger. Some did suggest it was to a friend as a joke, we discussed the potential for that to be misconstrued

I think the secret here is to really ‘demand high’ don’t let the students be lazy. Ask further questions, make them ask you questions. Encourage them to consider the connotations of the choices writers make.

2. Once you have gone through them all ask them in pairs to select two which they are going to reply to. Monitor and cajole. Again question what they want to say. For me, this was a great chance to prompt the students to use some of the TL, but also to fix register issues e.g. When i arrive – not wrong but is there a more natural way of writing this to a friend?

Additionally, it prepared me for things that could be highlighted for the whole class.

Then put some/ all of the student answers up onto the board. Ask which questions were being answered and how the person would feel receiving the reply. Highlight the examples of good language and fix what needs fixing through elicitation.

3. Finally, allow a few minutes for reflection. Ask the students to discuss what they feel was useful from the class; ask what they might now do differently. Highlight too that this was a chance to see them using new language and to provide an opportunity for them to use language they need for daily communication.

 

 

 

The bits of the paper we ignore 1!

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This is to be part 1 of a 2 part series focusing on the bits of the newspaper we throw away. A lot of our lessons on this blog and the lessons we do in class use articles as the basis for the lesson. But what about the rest of the paper?

We want to encourage our students to be fully-functioning autonomous machines out in the real world, constantly analysing the English around them, learning new words and structures and reconfirming what they have learnt before. One way to do this is to help them find what they should be analysing in the first place.

This first lesson looks at an advertisement for a film. It’s a film I haven’t seen a to be honest I have absolutely no intention of seeing ever…but that doesn’t matter. Check out the lesson and let me know how it goes.

Level: Intermediate and above (although low-ints might need some help with some of the questions on the worksheet. A lot of ICQs and CCQs please!)

Time: 1 – 2 hours (depending on discussion times and follow-up activities)

Aim:

  1. to encourage sts to notice and analyse the language in the world around them.
  2. To gather vocab on dating

Materials:

 

full ad

Procedure:

This is quite a straight forward lesson. The worksheet takes you through it nice and easily. I think the only part that might need to be commented on is the final part, the reflection. The idea here it to get them thinking about the English that surrounds them. Even if you don’t live in an English speaking country, the Internet is at your disposal and by driving them to sites like IMDB.com, you can help them to see this.

Possible Follow-up Activities:

  1. students write their own tweets about bad dates (real or imaginary) and either put them up around the room for correction or tweet them using the hashtag at the bottom of the ad.
  2. Students look up new films in groups on IMDB and summarise them to their partners.
  3. Students set up a class online dating profile and send comments to people.

Barry London: a tale of two cities

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You may or may not have noticed but I have a tendency to call everyone in my lessons Barry. I don’t know when this started, I don’t know why but it has definitely become a thing for me. Maybe I just like the name.

So, in keeping with this, we’ve decided to make Barry a little more real. We’ve given him a second name and over the next few months, we’re going to do a string of Barry-related lessons. Obviously they’ll all be standalone lessons but there’ll definitely be a thread running through them.

This is the first of many Barry-lessons and we join him in the Shard in London…but it doesn’t start off well for the poor fella.

spire shard

Level: Intermediate and above

Objectives: By the end of the lesson, your students will be better able to identify useful chunks of language in a text by themselves

Language Points: Phrasal verbs and expressions related to relationships and dating

Time: 2-3 hours depending on activities

Procedure:

The worksheet and text are pretty straightforward for this one and take you through the steps one at a time. The general idea of this lesson is that your learners are gradually brought from just finding the meaning of vocabulary, to identifying useful chunks of language and finally grasping their meaning from the text.

Material:

  1. Word: Barry London – up the shard
  2. PDF: Barry London – up the shard

Film Reviews: A Diagnostic Listening exerise

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A long time ago I came across an article that argued that a Dictogloss would be used in class to assess a student’s listening ability, that it could be used as a kind of diagnostic listening and the results could inform your following lessons. Sadly I have lost the article and forgotten the name of the author…which is pretty crappy of me.

At the time, I remember thinking that it was quite an interesting idea. OK, we all know dictoglosses as a great way of introducing a topic, as a nice listening exercise and as a way of working on a student’s general knowledge of English syntax…but, with a little twist it can work as a diagnostic! I’ve only ever taught this lesson once or twice and it’s always been quite interesting. I could see why people might disagree with the idea above but try it out and let us know how it goes.

Time: 1- 3 hours (depending on which activities you choose to do)

Materials: Safe House – Dictogloss

Level: Pre-int + above

Procedure:

(1) Intro

I suppose it’s good to get the ould schemata activated so any little discussion question on films will do here. “what’s the last film you saw?” “Would you describe yourself as a film buff?” “Can you describe the plot of a famous film from your country?”

If you’re giving feedback at this point, I’d focus on gathering adjectives to describe different films as this will be useful later.

(2)  Dictogloss

Hand out the page with the “Notes” box facing up. Make sure you tell the students not to turn over the page until you tell them to (if they do, give them a little tap on the nose, bad student!)

Let them know you’re going to read a description of a film to them but you’re going to read it at the normal speaking speed of a native speaker. Tell them to write down any words they hear in the “Notes” box. Read the description twice at normal speed and then allow students to check their answers.

(3)  Reflection

This is where the dictogloss changes into a diagnostic. The theory being that everything the students have written down is what they heard and everything else is what they have missed and therefore their notes can be used as a diagnostic of sorts.

Have the students turn over the page and compare their notes with the actual text. I usually get them to circle the words they got correct. Then direct them to the reflection questions below the text. This is the really interesting part. Encouraging your learners to think about why they found a listening task difficult and going beyond “You speak too fast” can be really useful for them.

Once they’ve done it, it’s important that you sit down with them and talk it through. Their answers should give you the information to plan what is taught in future lessons. For example:

  1. if they have combined two words into a new word, perhaps you need to focus on linking between words.
  2. if they have focused on grammar words and missed out on the important words, then you need to encourage them to focus on content words.
  3. if they’ve completely ignored any content words that were new to them, then perhaps you could help them with writing what they hear or raise their awareness of common English pronunciation Versus spelling rules.
  4. If it was a speed issue, perhaps this type of exercise should be repeated more often so that they’re more confident with taking notes while someone is talking.

At the very least, the students will be able to focus on their own issues. Let them know that you will be using their answers to inform their future lessons.

(4) Engaging with the text

We always think it’s important for students to have a real response to a text and not just do TEFLy exercises. At this point, following the quite heavy reflection stage, I usually get them to read the text very briefly one more time and then discuss the questions at the bottom of the page.

When you’re listening to them, think about the kinds of things you might say in this situation and then correct them based on that instead of just looking at grammar errors. Think of the natural pieces of English you would use. E.g. “It sounds…” , “I’m not really into / a fan of…”.

(5) Language Focus:

Even though this is a tiny little paragraph, you’ve got quite a bit to work with here. I usually pluck out one or two features and, instead of doing an entire grammar lesson based on it, just use it to train students to notice language in context.

For example, you could choose to focus on present perfect continuous versus present perfect by highlighting the sentence: “Frost has been working with the CIA for years but has recently changed sides” and asking them to compare the two forms and discuss why each was used in this situation. You could also briefly examine the passive “Frost is marched” or you could look at reduced relative clauses: “Frost, played by Denzel,…”. You’re spoilt for choice.

(6)  Writing follow-up

I think after all of this it’s nice for students to go back to the beginning of the lesson and think about the plot from a famous film in their country and write their own mini review. Limit the number of words and highlight the adjectives from the beginning of the class.

A nice idea once they’re finished it to put them up around the room and have students move around in pairs and discuss which films they’d be interested in seeing and which review grabbed their attention. Meanwhile you can be pulling out a few of the common errors and boarding them for a final feedback stage.

Don’t trust everything you read!

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So, this lesson is designed to be taught as a follow up to teaching the dreaded verb patterns (stop, remember, forget, regret, try). I usually bring this out a few days after they’ve been taught. But it can also be used as part of a test, teach, test type lesson. If the students read it for errors before you teach these verbs and then reread it again at the end, they’re generally delighted that they can now identify the mistakes that completely eluded them at the beginning of the lesson. You can’t argue with that type of in-your-face improvement.

The main idea is to check their understanding of the differences between the gerund and infinitive versions of these verbs but also to get them to analyse language in a text and not just skim over it. The awwwwww moment when they realise that something they’ve happily read 3 or 4 times is riddled with errors is always fun to be a part of.

Materials: Smoking – gerunds and inf story

Procedure:

Feel free to do any sort of lead in about vices, smoking or health or to change the end of the story if you think it’s too depressing (although I find that happy stories don’t really generate much discussion in classrooms). I also think that the vocab sections are pretty run of the mill and there’s nothing special there really.

The interesting part is when you’ve finished discussing the topic and examining the vocab and you ask the students to go back and read the text for errors. You can then get them to underline all of the gerunds and infinitives in the text and decide which ones are correct and which ones need to be changed. The real kicker is when both are possible but have slightly different meanings.

A bit of appropriacy please!

/ textploitationtefl / 2 Comments

So, I’ve had a little obsession with using text messages / whats-app style messages in class over the past few weeks, hence this is the second lesson I’m putting up about texting. Soz!

The main reason for this is that we tend to focus on language in classes and very often miss out on appropriacy. Trust me, as someone who spends a lot of their time in correspondence with students, appropriacy is something we need to be looking at. What I’m talking about here is both style (levels of formality) as well as register (the right words for the right context).

Just the other day a student started a spoken conversation with my by saying: “Dear David,”

This cannot continue. Something must be done. It starts here. Actually that’s probably a little bit too extreme but it’s definitely something to think about.

 

Procedure:

I think the procedure for this one is pretty self-explanatory as you just follow the worksheet but the really interesting thing is focusing on the features of a text message. Think about examining the following:

  1. Informal vocabulary
  2. Lack of punctuation (but not in all instances e.g. we’re could look like were)
  3. Omitted words (e.g. You free on Tuesday?)
  4. Shortened words (e.g. Tue / Fri)

A lovely follow up for this exercise for this is, once they have got the appropriate text message language down and have practised with one of their one, give each student a pile of post-it notes and tell them they are going to have a whatsapp group chat, making plans for the weekend. One person starts off the conversation by writing a message and placing it on the wall in front of the group. From then on the conversation happens in real time. Each student can reply to the message(s) that came before but they have to keep an eye on the thread as their partners may send the message they had planned to send. It’s quite fun but also ties the lesson together and makes error correction quite easy at the end as you have all of the physical messages.

Let us know how it goes, if you’d like a more detailed procedure, leave a comment and I’ll put something together.

Material:

A) Making plans Text messages worksheet

 

A Day in the Life – Elementary / Pre-Intermediate

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This lesson came after I started learning Spanish and the immense sense of achievement I got from reading and actually understanding a short story. I was fully aware that it was written entirely in the present simple and was probably the worst written story of all time and that the ending did not make sense in any language…but that didn’t matter, I’d read a story a I felt great.

This is a simple story for lower level students, hopefully giving them a similar feeling. There are a number of activities that go along with it but I particularly like the last one, in which the students write a text message from one character in the story to another. Students tend not to think about the different language you might put in a note/text as opposed to a story or a formal email. It’s important to draw attention to these differences and to practise different types of writing.

A) Material: A Day in the Life A Day in the Life

Procedure:

(1) Intro (Get the students thinking/predicting)

Get the students to give you a list of famous people. Choose one that they all know and ask them what they think they do on a normal day. Get some student suggestions up on the board and work through any present simple errors that come up.  I’ve always found Tiger Woods works well for this…I can’t imagine why.

tiger

(2) Reading (Checking predictions) 

Tell the students they are about to read a story about a new movie star. Ask them to give you a few ideas about what his average day is like. Board their ideas.

Give the students a limited time to read through the story. Negotiate this time with them but really highlight that you don’t want them to focus on every detail, you don’t want them worrying about vocab or grammar, you ONLY want them to check their predictions.

Let them discuss in pairs before feeding back as a class.

(3) Language focus 1: Vocab

(Giving the students access to the text / encouraging sts to move away from dictionaries)

Ask students what if they don’t understand a word. Have a discussion about how dictionaries have a time and a place but that there are other ways to understand a work (e.g. the context / the type of word / the surrounding words). Direct their attention to the vocab section.

When you’ve finished correcting this exercise, take a moment to ask the students how they found the answers. Reflect on it for a moment and ask them if they could have found the meanings without the help of the exercise.

(4) Detailed reading

Ask students to reread the story, negotiate the time again. Direct their attention to the true/false questions afterwards.

(5) Engage with the text (Encourage sts to have a real response to a text)

Let the students have a real reaction to the text. It’s not important that they loved the story, they could hate it with every fiber of their being but at least they have the chance to express that. Try a few of the following questions but feel free to add more:

Did you enjoy the story? / Did you like the characters? / Were you surprised by his answer? / Do you think any celebrities have similar lives? / Do you think he will have the same life in one year? / How much of the story do/did you understand? / How did you feel when you read the story?

(6) Language focus 2: Chunks of English

It’s nice, even from such a low level, to introduce sts to lexical chunks and different ways of using words they “know”. Draw their attention to walk in the story, ask them to underline  all the examples and then to do the activity.

(7) Follow-up (Encourage students to use appropriate levels of formality)

Hand out a post-it note to each student and ask them to write the text message at the end of the worksheet. Give them 5 minutes and then take in the post-its. Don’t just look for mistakes, focus on unnatural language, get it up on the board and naturalise it with the students. As a class, build one perfect text message, highlighting the type of language as you go.

As a further follow-up or for homework, ask the students to write another text message in the space at the bottom of the page. This can be a reply to the one above or something more personal.

Life in the Countryside…the origins of Textploitation

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So, this was the first text that we textploited. It was a story that we wrote and decided to use in class. I’d been using it as a lesson for some time and then Mark got hold of it and added his own touches and now we’ve got it to a solid 3-hour lesson, which is quite flexible and gives the students a little bit of autonomy as they get to choose what exactly they do with it.

It’s also the text that we use to demonstrate Textploitation in any CPD sessions we do on it.

We’ve laid out a lesson plan below as well as a number of follow-up possibilities. The idea is that  you can leave it up to the students what you focus on in the second part of the lesson.

Procedure:

Pre-Reading

  1. Introduction: Activate a bit of schemata by asking the students whether they’d prefer to live in the city of the countryside.
  2. Prediction: Explain to the students that they’re going to read a story about a couple living in the countryside and display the following words from the story: (Tread / muck out / the high life / godforsaken / vodka / farm / I’m used to / sunshine / heels). Ask them to predict what will happen in the story, explain that if they don’t know what a word mean, that’s OK, just ignore it. The idea here is that there will be some words they don’t know and without a context they can’t figure them out. Later when they have the context, they’ll be able to work out the meaning.

Reading:

  1. Gist/Checking predictions: Give the students a few minutes to skim read the story and check their predictions.
  2. Vocab (meaning from context): Focus the students attention on the vocab exercise below the story. Encourage them to use the context of the story to find the meaning and to stay away from dictionaries. (The idea here is to highlight the importance of context and encouraging them to avoid dictionaries – not that dictionaries aren’t great but they shouldn’t be a crutch.)
  3. Reflection:  Sit down and have a bit of an informal chat with the students. I like to lead by asking them if they thought the 9 pieces of lexis that I chose were important words for them to learn (e.g. pig pen). Are these words that they will use every day? The answer is obviously a resounding “no”! So why did we spend 15 minutes working on them? (You want to herd the students towards the understanding that you’re teaching them / practising a skill. You can also take the time to ask them why they thought they were unable to understand the key words before they read but were more than capable of understanding them once they’d read the texts.)
  4. Engage with the text: This story tends to lead to quite a bit of discussion as it is very much open to interpretation. I like to take a moment here and explain to students that this is an example of Flash Fiction, which is shorter than a short story and perfect for a student of English who has ten minutes to spare on the bus. They are usually quite open to interpretation. There are two questions that I find really open up the discussion on this story and with any class this will lead to some lovely error correction:
  • Did you like the story? Why / why not? What would you change? what more would you like to know?
  • Who did you sympathise with most, Barry or Brenda?

Post-Reading

So, the second part of the lesson is very much up to the students. Ask them what they would like to focus on. I’ve given you a few different options below, one of which I stole from the wonderful Gillian Lazar, who wrote the amazing book: Approaches to Using Literature. I highly recommend checking it out if you’re interested in that kind of thing.

(1)

Focus on punctuation: Punctuation is one of those things that we assume translates from a student’s L1, however, this does not always seem to be the case. Take some of the direct speech from the story (which the students have probably read about 3 times at this stage) and write it on the board, removing the punctuation. Ask the students what punctuation they’d like to add. They will probably want to use colons, inverted commas at the base of the words, full stops outside the quotation marks or any other number of variations.

(2)

Keeping with the direct speech, draw students attention to the fact that both Barry and Brenda have one large piece of speech each. My advice would be to prerecord both sections on your phone naturally and then to use this to raise their awareness of connected speech.

or

And this was stolen from Gillian Lazar. Using the same pieces of speech, we want to encourage students to put a bit of emotion into what they’re saying, to move away from the monotonous robot speech. Try following these steps:

  1. Get the students to say it to each other in pairs without any preparation.
  2. Ask them to think about which words would be stressed and try it again.
  3. Ask them to put down the sheet and do it again but adding in hand gestures.
  4. One more time, but standing up, with emotion.
  5. Finally, ask them to stand up, put down their sheets and try it from memory. Let them know that it doesn’t matter if they remember every word as long as they convey the message and capture the emotion.

Trust me, the difference between Step 1 and Step 5 is unbelievable. What you’re basically doing is drilling but by changing the instructions slightly each time, the students don’t get bored. Also, with each repetition they become less worried about the language and focus more on their delivery. It’s also loads of fun!

(3)

This story is only full of grammar (like any story). Let the students choose what they want to focus on: wishes / be + get used to / narrative tenses / direct – reported speech, and then just give them a few questions that will help them to uncover the grammar within.

For example, if they choose wishes, give them the following guided discovery activity and leave them to it:

  • underline all of the strong desires in the text.
  • Are they real/possible or imaginary/hypothetical?
  • What time do they refer to: past, present or future?
  • What is the form?

Check it as a class and then encourage them to make their own examples.

Materials

A) Life in the Countryside (Story + Exercises)

Exploiting a text message.

/ textploitationtefl / 2 Comments

In one of my previous jobs, teaching teenagers in Spain, I was forced to accept something: 15 year old girls don’t want to read newspapers, stories or other long texts. They receive their input through their phones and I-pads and if I didn’t accept and adapt, I was never going to get very far with them.

So I started bringing in text messages and encouraging them to WhatsApp each other in class and to write comments on Twitter in English. I definitely wasn’t going to be able to beat them and although I didn’t really feel like joining them would be appropriate, I was able to get a lot of new language and error correction up on the board…which was nice.

Here’s one of the texts I brought in for them and a couple of suggestions for exploiting it.

“Alright mate, I’m gonna be nearby later on. I might pop in and say hi if you’re around.”

  1. Focus on the register. Get students to rewrite it as a more formal email.
  2. Examine the informal language. Pull it out and look at the different ways you can use it. “Pop” is the obvious choice here. Not one you tend to see in your average coursebook, but a lovely piece of language all the same.
  3. Give students a post-it note and get them to reply to the message. Take in the notes and examine the messages, focusing on register and interesting language that comes up.
  4. Perfect for a bit of connected speech analysis. At the very least you have “gonna”.

 

Reading skills – Newspaper articles

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This lesson basically came about when I recommended that all of my students read newspapers on a regular basis. The obvious reasons being, I wanted to widen their vocabulary, improve their reading skills and increase their cultural knowledge. It seemed so simple at the time.

After a week I asked them how they were getting on and they all dropped their heads sheepishly murmuring to themselves. I was about to give them a pompous little lecture on how they had to put more into their English studies as 3 hours a day in class wasn’t enough and all of that other stuff that we say, when one student piped up and said: I tried, I really did but I couldn’t get past the headline, if I can’t understand that, how can I understand the rest of the article?! (I’m paraphrasing here but you get the idea).

It was then that I realised I’d asked them to do something without giving them the tools to do it. The next day, I taught this lesson and sent them off into the world with no excuses…they still didn’t read very much but at least they had no excuses now.

  • Time: 90 minutes – 3 hours (depending on the optional language focus section)
  • Level: Pre-int and above
  • Aim: To raise your students’ awareness of the skills they need to tackle a newspaper article.
  • Sub aim: To encourage students to discuss possibilities in the past/present

Materials:

  1. Pictures
  2. Article and exercises
  3. A variety of articles / a few free newspapers (if possible)

Procedure:

  1. Opening discussion / outlining your aims: Put your students in small groups and ask them if they read newspapers in English. If not, why not. Feedback as a whole class. (you will probably get something about headlines here. feel free to explain puns to them but suggest that they ignore the headlines until after they’ve read the article as they often contain a cultural reference or pun and can be demotivating). Explain that by the end of the lesson they should have the tools/skills they need to read an authentic English article.
  2. Prediction: Display the two pictures and ask sts why they think these two boys were in the paper and what their relationship was. Feedback and write students ideas on the board.
  3. Optional language focus: Inevitably your students will have used “maybe” or “perhaps” or just present simple in their predictions. Explain that a native speaker would probably have used “might” at some point. Ask them to rewrite the predictions on the board using “might”. give them no help at this point. Feedback as a class and highlight how “might” works in the past and present. Further practice can be, if any student or teacher is absent from the school ask students why they think he/she is not here.
  4. First reading: Give the sts the article and ask them to check their predictions. Ask them how long it will take them to read the whole article, then tell them they have 90 seconds. Tell them to focus only on their predictions and ignore language they don’t understand. feedback as a class. Briefly discuss how it doesn’t matter if all of their predictions are correct, just that they’re constantly making and correcting them based on new info.
  5.  Vocabulary focus: Ask students to underline all of the crimes the boys committed, even if they don’t understand them. Then draw their attention to the vocab exercise on the worksheet. Allow sts to work in pairs. After about 5 minutes, allow students to use their dictionaries to confirm their answers. Feedback as a class.
  6. Second reading: Ask sts to reread the article in their own time and then in pairs to decide on the best summary from the worksheet.
  7. Discussion: Place sts in groups, arrange them in a circle so that you are not a major presence. Direct their attention to the discussion questions and highlight that these are just to get their conversation going but they can move the discussion any way that feels natural.
  8. Error correction/emergent language: Monitor carefully and divide your board into: Errors (you don’t need to put the titles on the board), interesting language and pronunciation. board student errors and the language they struggled for but couldn’t quite get and any words that they had issues pronouncing. Call an end to the discussion whenever you feel it’s appropriate and direct the sts in their groups to the board. Sts work together to correct the errors. Feedback as a class.
  9. Skills focus: Ask sts to think back over the lesson and decide what the steps were. Direct them to the skills box on the worksheet and in pairs get them to match up the steps. discuss the final questions as a class.
  10. Skills practice: Hand out the extra articles / papers and in small groups ask the students to choose an article and follow the steps. Monitor and help sts along when necessary but if possible, leave them to it.
  11. Reflect: take a few minutes at the end to ask sts how they feel about articles and if they feel they could read them. Deal with any issues and highlight that it’s not important to understand everything and that it might be a good idea to start with shorter articles or articles on topics they are familiar with.